The View Is a Vehicle
Digital photography / train window / colour interference
27 May 2020
The View Is a Vehicle is a sequence of ten photographs made through a train window on 27 May 2020. Across the sequence, the railway landscape remains recognisable while the conditions of seeing take over. Poles cut across the frame. Reflections merge carriage light with trees and houses. Bridges work like shutters. Motion and the camera’s colour rendering pull the view towards blur and abstraction.
The landscape never appears as a stable subject. Each image is produced by a moving relation between exterior space, glass, camera and passenger. The sequence does not hide these conditions or correct their interference. It uses them as its material.
The final photograph turns towards an empty carriage. It does not explain the preceding views as a reveal. It brings the apparatus already present throughout the series into the frame: the seat, the window, the speed of travel and the temporary position from which the landscape was seen.

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